=>q1_original
::Evelyn says nothing, instead letting her angry, deranged stare do the talking.::<end>

=>q1

::イヴリンは何も言わず、怒りと狂気の入り混じった眼差しだけで語りかけてくる。::<end>

=>q2_original
::You find yourself in Evelyn's bedroom, feeling a strong headache and dizziness after a mere two drinks that weren't that strong at all - let alone enough for you to lose consciousness. As the dark curtain slowly lifts from your eyes, you are presented with a bone-chilling image: Evelyn is standing before you, pointing a large knife right at your face. 

The semi-drugged, nauseating state you're in only enhances her transformation from beauty into beast, making the experience even more surreal: Her kind eyes have now become flaming furnaces emitting enough heat to turn your skin to liquid; her charming smile - a scrap metal shredder grinning at your impending doom, and her soft, full hair - strands of molten metal erupting from the tip of her head and flowing down her face.::<end>

=>q2

::気づいたときにはイヴリンの寝室の中にいた。さほど強くもなかったはずの酒を二杯飲んだだけで激しい頭痛とめまいを覚えている——あれで意識を失うには到底足りないはずなのに。暗い幕がゆっくりと目から持ち上がるにつれ、背筋の凍るような光景が目に入る：イヴリンがすぐそこに立ち、大きなナイフをこちらの顔に向けていた。

半ば薬で朦朧とした吐き気のする状態が、彼女の美から醜への変貌をさらに際立たせ、体験を超現実的なものにしていた：あの優しい目は今や燃え盛る炉となり、肌を溶かすほどの熱を放っている。あの魅力的な笑みは——金属を噛み砕くシュレッダーが迫り来る破滅に向かってニヤリと歯を剥いている。あの柔らかく豊かな髪は——頭頂部から噴き出して顔を流れ落ちる溶鉄の糸となった。::<end>

=>q3_original
::Only as you recoil do you realize you have been undressed almost completely, which further exacerbates your position. After she watches you flounder about for a few moments, she finally decides to speak.::

Oh, my sweet $(context.player.Name), how naive can you get. Now that I have you in my grasp, we're going to have so much fun! Well, at least I will - duh! ::After finishing her last sentence, she clenches her knife and moves toward you.::<end>

=>q3

::後ずさりして初めて、ほとんど丸裸にされていたことに気づき、状況はさらに悪化する。しばらく狼狽えるこちらを眺め、彼女はついに口を開く。::

まあ、可愛い$(context.player.Name)ったら、なんて無邪気なの。ようやく手中に収めたんだから、一緒にたっぷり楽しみましょうよ！まあ、少なくとも私はね——当然でしょ！::言い終えると彼女はナイフを握り締め、こちらへ近づいてくる。::<end>

=>a4_original
::End Dialog.::<end>

=>a4

::会話終了。::<end>

=>q5_original
::The young, attractive woman seems to be the only person present in this quiet home. Even at first sight it is clear that this woman shines as bright as a diamond in a bucket of coal when compared to other women you've seen in Foundry so far. Her beautifully elongated face and her slim yet curvy figure form a striking image which is sadly smudged by one tiny imperfection - mild swelling and blackness around her tired green eyes. 

She is the first one to speak.::

Good day. May I help you somehow?<end>

=>q5

::静かな家の中には若く魅力的な女性の姿しかない。一目見ただけで、この女性がファウンドリーでこれまで見かけた他の女性たちと比べてゴミ山のダイヤモンドのように輝いていることは明らかだ。美しく細長い顔と、細いながらも曲線美のある体型が印象的な姿を形作っているが、残念ながら一つの小さな欠点が影を落としている——疲れた緑色の目の周りの軽い腫れと黒ずみだ。

彼女が先に口を開く。::

こんにちは。何かお役に立てることはありますか？<end>

=>a6_original
Hi, my name's $(context.player.Name), I apologize if I'm disturbing you, but I'd just like to ask you a couple of questions.<end>

=>a6

こんにちは、$(context.player.Name)といいます。お邪魔でなければ、少しだけお話を聞かせていただけませんか？<end>

=>q7_original
::She smiles.:: Well, since you're so polite I suppose I'll have to indulge you. My name is Evelyn Ingram, $(context.player.Name). What would you like to talk to me about?<end>

=>q7

::彼女は微笑む。:: まあ、そんなに礼儀正しいのならお話しましょう。私はイヴリン・イングラムと申します、$(context.player.Name)さん。何についてお聞きになりたいですか？<end>

=>q8_original
<end>

=>q8

<end>

=>a9_original
Who are you and what do you do around here?<end>

=>a9

どんな方で、ここでは何をされているんですか？<end>

=>q10_original
Ah, I don't think it would be very smart of me to discuss personal information with strangers... but you seem like an honest guy. Different than the ones I'm usually surrounded with.<end>

=>q10

個人的な情報を見知らぬ方に話すのは賢明ではないと思うのですが……でも、あなたは正直な方のようですね。ここでよく会う人たちとは違うわ。<end>

=>q11_original
I don't know what to say about myself... Well, I was the wife of the former Foundry Guard chief, Michael Ingram. You might have heard of him. Sadly, he died some time ago from a heart attack, leaving me... all alone.<end>

=>q11

自分のことは……何と言えばいいか。ファウンドリー警備隊の前長官、マイケル・イングラムの妻でした。ご存知かもしれませんね。残念ながら、しばらく前に心臓発作で亡くなって……一人ぼっちになってしまいました。<end>

=>a12_original
I'm very sorry to hear that.<end>

=>a12

それは大変でしたね。<end>

=>q13_original
I was really shocked when he died. All was well until one day he suddenly fell, dying before he hit the floor. Doctor Stevenson told me that it was a heart attack; apparently he'd been overworked and overstressed and... slept too little. Not to mention the "quality" of living conditions here. In the end, all that got to him, leaving me to cope with... loneliness.<end>

=>q13

彼が亡くなったときは本当に驚きました。何もなかったのに、ある日突然倒れて、床に当たる前に逝ってしまったんです。スティーヴンソン先生によると心臓発作で、働きすぎとストレスで……睡眠不足でもあったと。ここの「生活環境の質」は言うまでもなく。結局それが全部積み重なって彼を奪い去り、私には……孤独だけが残りました。<end>

=>q14_original
Losing a man I loved like that left a hole in my heart I don't think I'll ever be able to fill again. I don't know... who knows, maybe it's time for me to move on. I *am* young and still have so much to live for...<end>

=>q14

そんなふうに愛した人を失って、心に穴が開いたようで、もう埋まることはないと思っています。でも……誰が知るでしょう、もしかしたら前に進む時が来たのかもしれない。*私は*まだ若くて、生きがいはいくらでもある……<end>

=>q15_original
::She sighs.:: It's... complicated. Maybe that's enough about that subject.<end>

=>q15

::彼女はため息をつく。:: それは……複雑な話なの。この話題はもう十分かしら。<end>

=>a16_original
I'm sorry. Maybe we should change the subject.<end>

=>a16

すみません。話題を変えましょうか。<end>

=>q17_original
Don't feel sorry. While it is... difficult for me to speak about it, sometimes it's good to speak about these things. And you seem like a good listener. Anyway...<end>

=>q17

気にしないで。話すのは……つらいけれど、こういうことは時に話したほうがいい。それに、あなたはいい聞き手のようですね。ともあれ……<end>

=>q18_original
Excuse me? I just met you and I'm not comfortable talking about private things with strangers.<end>

=>q18

失礼ですが？会ったばかりなのに、個人的なことを見知らぬ方に話すのは気が進みません。<end>

=>q19_original
If you're going to ask me direct personal questions like that - I suggest you find someone else to interrogate.<end>

=>q19

そんな直接的な個人的質問をされるなら、別の方を尋問していただけますか。<end>

=>a20_original
A beautiful woman like you should not be forced to sit alone in her home and wither away. I can make you company, if you don't have a problem with that.<end>

=>a20

あなたのような美しい女性が一人で部屋に閉じこもってしまうのはもったいない。よろしければ、お話し相手になれますよ。<end>

=>q21_original
::A charming smile slowly appears on her face.:: Not at all. Thank you for the compliment, but I don't consider myself *that* beautiful. Pretty seems more appropriate. But, you are right about me being alone... that is true, sadly.

::She pauses, letting her seductive stare convey her unspoken thoughts. After a few quiet moments, she turns away to grab a bottle of some seemingly expensive drink and shows it to you.:: Care for a drink?<end>

=>q21

::魅力的な笑みがゆっくりと彼女の顔に広がる。:: そんな、*あそこまで*美しいとは思っていないわ。かわいい程度のほうが適切かしら。でも、一人でいるのは……確かにその通りで、残念なことに。

::彼女はしばらく目を止め、言葉にならない思いを視線で語る。静かな数秒が過ぎると、彼女は振り返り、見るからに高そうなボトルを手に取って見せる。:: 一杯いかがですか？<end>

=>a22_original
::Have a drink with Evelyn.::<end>

=>a22

::イヴリンと一緒に飲む。::<end>

=>a23_original
A drink? Are you sure this isn't a misunderstanding?<end>

=>a23

一杯、ですか？もしかして勘違いでは？<end>

=>q24_original
Well, let's see now... ::She smiles.:: First, I would like for you to have a nice drink with me, or several. After that... well, who knows, we'll see what happens after that, if you understand what I... mean.<end>

=>q24

そうね、考えてみましょうか……::彼女は微笑む。:: まず、一緒にゆっくり飲んでほしいの。それから……まあ、その後何が起きるかはその後次第ね。どういう意味か……わかるでしょう？<end>

=>a25_original
Sorry, but I'm going to have to say no.<end>

=>a25

申し訳ありませんが、ご遠慮します。<end>

=>q26_original
::All seductiveness instantly evaporates from her face, leaving behind only an expression of disappointment.:: Well, in that case, *I* am the one that should be sorry. Maybe it really was a misunderstanding. A woman like me can get lonely in a boring place like this, you know. I apologize for... this.<end>

=>q26

::誘惑的な表情がたちまち消え、失望の色だけが残る。:: そうですか、*こちら*こそごめんなさい。やっぱり勘違いだったのかもしれないわ。こんな退屈な場所にいると、私みたいな女でも孤独になってしまうんです。この……件はお詫びします。<end>

=>q27_original
Anyway, is there anything else you wanted or are we done?<end>

=>q27

ともあれ、他にご用件はありますか？<end>

=>a28_original
How do you feel now that the mine has been reopened?<end>

=>a28

鉱山が再開されてどうお感じですか？<end>

=>q29_original
Well, well, if it isn't the "boss" himself. The mayor and the chief want most of the glory for themselves, but *I* know who did all the hard work. It takes one brave, strong, capable man to do what you did. If you ever find a break from doing heroic deeds, you could perhaps find some time tell me all about your endeavors.<end>

=>q29

まあまあ、「親分」ご自身ではありませんか。町長も隊長も手柄の大半を自分のものにしているけれど、*私は*誰が本当に苦労したかを知っていますよ。あんなことができるのは、勇気と力と能力を兼ね備えた人だけ。英雄的な行いの合間に休暇があれば、ぜひその冒険談を聞かせてください。<end>

=>q30_original
I'd really love to hear it.<end>

=>q30

ぜひ聞いてみたいわ。<end>

=>q31_original
I heard people talking about it. I'm glad it was over quickly.<end>

=>q31

うわさは聞きました。すぐに終わって良かったですわ。<end>

=>q32_original
Good news.<end>

=>q32

よかったですわ。<end>

=>a33_original
What can you tell me about Foundry?<end>

=>a33

ファウンドリーについて教えていただけますか？<end>

=>q34_original
About Foundry? Foundry is well known throughout Underrail for its rich mine, and because we're the largest exporter of iron in the region. That allows us to afford a strong defense, which we need if we are to defend ourselves from raiders. Unfortunately, Foundry is also the most polluted station in the region... and life expectancy isn't the best either. <end>

=>q34

ファウンドリーについて？ファウンドリーは豊かな鉱山と、地域最大の鉄の輸出地として知られています。おかげで強固な防衛力を備えられますし、盗賊から自分たちを守るためにそれが必要なんです。残念なことに、ファウンドリーは地域で最も汚染された駅でもあって……平均寿命もあまりよくありません。<end>

=>q35_original
To tell you the truth, I don't care much about this place. I'd leave it if I could.<end>

=>q35

正直に言うと、この場所にはあまり関心がありません。できるなら出て行きたいですわ。<end>

=>q36_original
You know, I don't feel like being a tour guide right now. Foundry has a rich mine, strong defence, pollution.<end>

=>q36

今は観光ガイドの気分ではないわ。豊かな鉱山、強固な防衛、そして汚染、ね。<end>

=>q37_original
That's all there is to it.<end>

=>q37

それだけです。<end>

=>a38_original
What was I thinking! I'd like to have a drink with you - if the offer still stands?<end>

=>a38

何を考えていたんでしょう！一杯ご一緒したいのですが——まだ声がけしていただけますか？<end>

=>q39_original
::She crosses her arms and takes a good look at you before speaking:: Do you really expect me to offer you a drink again, after what you did to me earlier?<end>

=>q39

::彼女は腕を組み、しばらくこちらをじっと見てから口を開く。:: 先ほどのことの後で、また一杯差し上げることを期待しているんですか？<end>

=>a40_original
Yes.<end>

=>a40

はい。<end>

=>q41_original
::She pauses for several seconds, alternately looking at you then away as she considers your words. Finally, she speaks.::
 
I think today is your lucky day, $(context.player.Name). Usually I would not give anyone a second chance after doing what you did, but there's just something... special about you...<end>

=>q41

::彼女は数秒間、こちらを見たり目をそらしたりしながら言葉を考える。そしてついに口を開く。:: 
 
今日はツイているわよ、$(context.player.Name)。あんなことをされた後で二度目のチャンスを誰かに与えることは普通しないんだけど……あなたには何か……特別なものがある気がするから……<end>

=>a42_original
Well, no. You are right to be mad.<end>

=>a42

いや、そうですね。怒るのは当然です。<end>

=>a43_original
I'm really, really sorry. I'll be good this time.<end>

=>a43

本当に、本当にごめんなさい。今度は行儀よくします。<end>

=>a44_original
Do you know anything about creatures from the mine?<end>

=>a44

鉱山の生き物について何か知っていますか？<end>

=>q45_original
Not much, I've mostly heard people say those things look like they're made of rocks or something, but that's all I know. Luckily, I never had a chance to meet one in person and learn whether that description is true.<end>

=>q45

あまり知らないわ。岩でできているような見た目とは聞いたけれど、それだけ。幸いなことに、実際に会って確かめる機会はなかったですし。<end>

=>q46_original
And I hope I never meet one. You know, I'm sure the Foundry Guard situation will be resolved quickly, and the mine will be operational again.<end>

=>q46

会いたくもないですね。ファウンドリー警備隊の状況はきっとすぐ解決されて、鉱山も再稼働するはずよ。<end>

=>a47_original
Are you bothered by those people from the slums? I mean, you live right next to them.<end>

=>a47

スラムの人たちに困らされたりしませんか？すぐ隣に住んでいますし。<end>

=>q48_original
Hmmm, they rarely even come out, and when they do, they don't bother me at all. Now, Messer on the other hand, our local butcher, is having some... difficulties with those people, as far as he tells me. I think you can figure out why a bunch of underfed bums would bother a butcher who's got a pen full of pigs in the back.<end>

=>q48

うーん、あの人たちはめったに外に出てこないし、出てきても特に私には何もしないわ。でも、地元の精肉業者のメッサーさんは、あの人たちとちょっと……困ったことがあるらしいと話してくれました。栄養不足の人たちが、裏に豚の囲いを持つ精肉業者を悩ませる理由は……察しがつくわよね。<end>

=>q49_original
And he is such a lovely man, Messer, and probably the only person I like talking to around here. <end>

=>q49

メッサーさんは本当に素敵な方で、ここで唯一話し相手にしたい人ですわ。<end>

=>q50_original
You seem pretty nice too. ::She smiles.::<end>

=>q50

あなたもなかなか素敵ね。::彼女は微笑む。::<end>

=>a51_original
I need to go. Bye.<end>

=>a51

行かなければ。さようなら。<end>

=>q52_original
See you again. Bye.<end>

=>q52

またいらしてね。さようなら。<end>

=>q53_original
Goodbye.<end>

=>q53

さようなら。<end>

=>q54_original
Nice to meet you. I'm Evelyn. What do you need?<end>

=>q54

はじめまして。イヴリンです。何かご用ですか？<end>

=>a55_original
Hello, I'm $(context.player.Name). I came here to talk to you, if you don't mind.<end>

=>a55

こんにちは、$(context.player.Name)といいます。よろしければ少しお話を聞かせていただけますか？<end>

=>q56_original
Hello. I was just thinking about you, $(context.player.Name).<end>

=>q56

こんにちは。あなたのことをちょうど考えていたんですよ、$(context.player.Name)。<end>

=>q57_original
What is it?<end>

=>q57

何かご用ですか？<end>

