=>q1_original
::A gust of wind sails into the bay with the sole intention of disturbing the romantic scene: It ferociously tousles the woman's hair but its chill cannot pierce into her bones, for she had already found warmth in her man's arms. What it can do, however, is disgorge the foul stench from the nearby toilet's execrable pit and drag it right under the couple's noses, liquefying their faces and instantly separating them through the power of what is essentially tremendous environmental flatulence. They are forced to step aside from this path of olfactory devastation as the odious wind sets sail again, its mission accomplished.

After taking a breath of fresh air, the woman addresses the man.::<end>

=>q1

::一陣の風が湾に吹き込んでくる、その唯一の目的はロマンティックな場面を台無しにすること：それは猛烈に女の髪をかき乱すが、その冷気は彼女の骨まで染み渡ることができない、なぜなら彼女はすでに愛する人の腕の中に温もりを見つけていたから。しかしできることもある——近くのトイレの汚物溜めから醜悪な悪臭を吐き出し、二人の鼻元まで引きずってくること。それは二人の顔を液状化させ、本質的には強烈な環境的放屁の力によって即座に二人を引き離した。二人はこの嗅覚的な惨状の通り道から退かざるを得なくなり、不快な風は使命を果たして再び旅立った。

新鮮な空気を吸い直した後、女が男に話しかける。::<end>

=>q2_original
Can't you stay just a bit longer?<end>

=>q2

もう少し居られないの？<end>

=>q3_original
I'm sorry, darlin', but I gotta go. When I return... I'm taking you with me, away from all this. You know how I feel about this place. and the sole reason I come back here is because of you, Sarine. I gotta do this. I need to prepare everything for us to settle down in the North.

::He wipes the tears off her face.:: Don't cry...<end>

=>q3

悪い、ダーリン、でも行かないといけない。戻ったら……一緒に連れて行くよ、これ全部から離れて。ここをどう思っているか知ってるだろ。唯一戻ってくる理由はお前がいるからだ、サリン。やらないといけないことがある。北に落ち着くための準備が必要なんだ。

::彼は彼女の顔の涙を拭う。:: 泣くな……<end>

=>q4_original
::She pushes him away.:: I'm not cryin' because you're leavin', I'm cryin' because that damn *reek* burned my eyes! What kinda emotional pansy do you take me for, huh?

::She smiles and wipes her tears off with her hand.::<end>

=>q4

::彼女は彼を押しのける。:: 出て行くから泣いてるんじゃない、あの*臭い*が目に染みたから泣いてるんだ！私のことどんな感情的な弱虫だと思ってんの、ねえ？

::彼女は微笑んで手で涙を拭う。::<end>

=>q5_original
What about the Tunnelers? How're you gonna get past them bloody freaks?<end>

=>q5

トンネラーはどうするの？あのくそ奴らをどうやって通り抜けるつもり？<end>

=>q6_original
I know a way. You didn't marry no incompetent quaker.<end>

=>q6

方法を知っている。無能な腰抜けを旦那にしたわけじゃないだろ。<end>

=>q7_original
::She shrugs her shoulders.:: <end>

=>q7

::彼女は肩をすくめる。:: <end>

=>q8_original
::He laughs.:: Oh, really...?

Look, <end>

=>q8

::彼は笑う。:: そうか……

いいか、<end>

=>q9_original
I gotta go. You take care of yourself for me, okay?<end>

=>q9

行かないと。私のために体に気をつけてね、いいね？<end>

=>q10_original
Oh, cut the crap and gimme that sloppy kiss already.<end>

=>q10

くだらないこと言ってないでさっさとキスしてよ。<end>

=>q11_original
::Beck and Sarine kiss each other one more time, after which Beck whispers something into her ear and walks away, leaving Camp Hathor. She stands there and watches him and in that moment notices you. As soon as your stares meet, you turn toward the river, pretending to enjoy the gloomy view.::<end>

=>q11

::ベックとサリンはもう一度キスをして、その後ベックは彼女の耳に何かをささやいてキャンプ・ハサーを後にする。彼女はそこに立って彼を見送り、その瞬間あなたに気づく。目が合った途端、あなたは川の方を向いて、暗い景色を楽しんでいるふりをする。::<end>

=>a12_original
::End Dialog::<end>

=>a12

::会話終了::<end>

=>q13_original
The Tunnelers are gone, right?<end>

=>q13

トンネラーはもういなくなったでしょう？<end>

=>q14_original
::He nods.:: Its safe to take the train now. I won't have to go around like the last time.<end>

=>q14

::彼はうなずく。:: 今は列車で安全に行けます。前回のように迂回しなくていい。<end>

=>q15_original
Anyway, <end>

=>q15

ともかく、<end>

=>q16_original
::Sarine seems to be out cold.::<end>

=>q16

::サリンは完全に気を失っているようだ。::<end>

=>q17_original
<end>

=>q17

<end>

=>a18_original
::[Stealth] Sneak Sarine out of the camp.::<end>

=>a18

::[ステルス] サリンをキャンプから連れ出す。::<end>

=>q19_original
::You toss Sarine over your shoulder and sneakily carry her off to her new husband. She is heavy.::<end>

=>q19

::サリンを肩に担いで、こっそりと新しい夫の元へ運ぶ。彼女は重い。::<end>

=>a20_original
::End Dialog::<end>

=>a20

::会話終了::<end>

=>a21_original
::Carry her to the Rathound King.::<end>

=>a21

::ラサウンドキングの元へ運ぶ。::<end>

=>q22_original
<end>

=>q22

<end>

=>q23_original
::There are still hostiles in the area. Trying to carry her away might turn you into an easy target.::<end>

=>q23

::まだ敵がいる。彼女を連れ去ろうとすると、格好の標的になるかもしれない。::<end>

=>q24_original
::There are still people out there. Someone's bound to see you trying to carry her away.::<end>

=>q24

::まだ外に人がいる。彼女を連れ去ろうとするのを誰かに必ず見られるだろう。::<end>

=>q25_original
::You toss Sarine over your shoulder and carry her off to her new husband. She is heavy.::<end>

=>q25

::サリンを肩に担いで新しい夫の元へ運ぶ。彼女は重い。::<end>

=>a26_original
::Leave her be.::<end>

=>a26

::そのままにしておく。::<end>

=>q27_original
<end>

=>q27

<end>

=>q28_original
You filthy $(#pig/sow)! If you touch me, I'll cut your tongue off!<end>

=>q28

この豚め！触れたら舌を切り落とすから！<end>

=>q29_original
Once I'm out, I'm gonna slowly turn your bones to dust!<end>

=>q29

出られたら、ゆっくりと骨を砕いてやるから！<end>

=>q30_original
You'll join the Rathound King as soon as I get my hands on you!<end>

=>q30

捕まえたらラサウンドキングのところへ送ってやる！<end>

=>q31_original
::She quickly spits at your face. Luckily, you manage to avoid it.::<end>

=>q31

::彼女は素早くあなたの顔に唾を吐く。幸い、なんとかよけられた。::<end>

=>q32_original
Let me out, animal! LET ME OUT!<end>

=>q32

出せ、けだもの！出してくれ！<end>

=>q33_original
I'll impale your severed head on a spear once I get outta here!<end>

=>q33

ここを出たら、お前の首を槍にさしてやる！<end>

=>q34_original
Not now.<end>

=>q34

今は違う。<end>

=>q35_original
*You* again. What do you want?<end>

=>q35

*あなた*また来たの。何の用？<end>

=>q36_original
<end>

=>q36

<end>

=>a37_original
What do you do around here?<end>

=>a37

ここで何をしているんですか？<end>

=>q38_original
I'm a hunter.<end>

=>q38

猟師です。<end>

=>a39_original
Can you tell me more?<end>

=>a39

もっと教えてもらえますか？<end>

=>q40_original
There ain't much to say. I was born here and I've been a hunter my whole life. Just like all other hunters, I spent most of it on the other side of the river, where there's lotsa game waitin' for us: hoppers, siphoners, rathounds... lotsa different stuff. It's a simple, rewarding life. It keeps your body in shape and your mind sharp. Sadly, I won't be stayin' here much longer. <end>

=>q40

大して言うことはありません。ここで生まれて、ずっと猟師として生きてきました。他の猟師と同じように、ほとんどの時間を川の向こう側で過ごしてきました、ゲームがたくさんいますから：ホッパー、サイフォナー、ラサウンド……いろいろ。シンプルで、やりがいのある生活です。体を鍛えて、頭を鋭く保ってくれます。残念ながら、もうここには長くいません。<end>

=>a41_original
Where are you going?<end>

=>a41

どこへ行くんですか？<end>

=>q42_original
My husband, Beck Sud, he is the son of the previous camp leader, Gideon. He wants to leave Camp Hathor and live somewhere far away. And I'll be goin' with 'im soon. I'm...I've spent my whole life in this place livin', breathin', existin' as nothin' but a hunter. I know I said that but, that's my whole life, that is me. But I'm willing to give it all up just for him. And who knows, maybe I'll discover another part of me in that new place. Who knows...<end>

=>q42

夫のベック・サッド、前のキャンプリーダーであるギデオンの息子です。キャンプ・ハサーを離れて、遠いどこかに住みたいと言っています。もうすぐ一緒に行きます。私は……ずっとこの場所で猟師として生き、息をして、存在してきました。そう言いましたが、それが私の全人生、それが私です。でも彼のためなら全てを捨てる覚悟があります。そして、その新しい場所で自分の別の側面を発見するかもしれません。誰にもわかりません……<end>

=>a43_original
::[Persuade]::  If Beck really wants to spend the rest of his life with you in a far-away place, then what is he doing with that busty girl by the south entrance?<end>

=>a43

::[説得]:: もしベックが遠い場所であなたと人生を共にしたいなら、なぜ南口のあの胸の大きい女の子と一緒にいるんですか？<end>

=>q44_original
Busty? You mean... Brenda? Brenda... But she left for Core City and hasn't... They haven't-- What the bloody...? I mean--<end>

=>q44

胸が大きい？つまり……ブレンダ？ブレンダ……でも彼女はコアシティに行ったはずで、まだ……彼らはまだ——なんてこと……？つまり——<end>

=>q45_original
::As the moment becomes tenser and tenser, her teeth begin showing themselves, grinding against each other. A deep frown arrives to the party soon, warping her forehead; and last, but not least, she expresses all her anger with snarled words.:: 

I'm gonna aim for that bleedin' chest of hers with my crossbow if she's even near my bloody man! I... I... Move aside, bloody hell! UGH!<end>

=>q45

::その瞬間が緊張を増すにつれて、彼女の歯が見え始め、ギリギリと噛みしめられる。眉間には深いしわが寄り、最後に、彼女は言葉を唸りながら全ての怒りを表現する。:: 

もし私の男のそばにいたら、あの胸にクロスボウを向けてやる！私は……私は……どけ、くそっ！うがーっ！<end>

=>a46_original
::End Dialog::<end>

=>a46

::会話終了::<end>

=>q47_original
Busty woman? I... What in bloody hell are you tryin' to do here, $(context.player.Name). How dare you? How dare you!? Get away from me before I get really pissed off and strangle you with your own hands!<end>

=>q47

胸の大きい女？……何をしようとしているの、$(context.player.Name)。よくも！よくもそんな！本気で怒る前にここから消えなさい、さもないと自分の手で首を絞めてやる！<end>

=>a48_original
Best of luck, then.<end>

=>a48

頑張ってください。<end>

=>q49_original
Thank you, $(context.player.Name). I'll miss this place, darn it, but... yeah, it's gonna turn out good. It is, it is.<end>

=>q49

ありがとう、$(context.player.Name)。この場所が寂しくなるわ、まったく、でも……うまくいく。うまくいくわよ、きっと。<end>

=>a50_original
Where will you be going?<end>

=>a50

どこへ行く予定ですか？<end>

=>q51_original
North Underrail.<end>

=>q51

北アンダーレイルです。<end>

=>a52_original
Interesting. Let me ask you something else.<end>

=>a52

面白い。別のことを聞かせてください。<end>

=>q53_original
Yes?<end>

=>q53

はい？<end>

=>a54_original
You mean, you'll be gone for good?<end>

=>a54

つまり、もう戻ってこないということですか？<end>

=>q55_original
I don't know you well enough. Next question.<end>

=>q55

あなたのことはよく知りません。次の質問を。<end>

=>a56_original
Can you tell me anything about the Rathound King?<end>

=>a56

ラサウンドキングについて教えてもらえますか？<end>

=>q57_original
Kill 'im on sight. That's all ya need to know. Even though he has been causing us trouble for years, he's still basically just another vermin that needs to be dealt with. He's bloody lucky I never got my hands on him.<end>

=>q57

見かけたら殺せ。それだけわかれば十分。何年もあいつに悩まされてきたけど、結局は対処しなければならないただのゴミです。私の手に届かなかったのは本当に運がよかった。<end>

=>q58_original
I'd snap him in two. ::She laughs.::<end>

=>q58

二つに折ってやれたのに。::彼女は笑う。::<end>

=>a59_original
You're looking good, girl. How about we grab a couple of burrower burgers and you know... find a quiet place together. Get to know each other intimately? ::Wink.::<end>

=>a59

いいね、あなた。バロワーバーガーでも食べて……静かな場所を探さない？親密になりましょう。::ウィンク。::<end>

=>q60_original
How about I grab you by your scrawny legs and throw you in the river, huh? Then you can spend some time with them eels. You know, get to know them intimately. ::Winks.::<end>

=>q60

あなたの細い足でつかんで川に放り込んでやろうか？ウナギと時間でも過ごしたらいい。親密にね。::ウィンクする。::<end>

=>a61_original
Yeah, I get the message.<end>

=>a61

ええ、わかりました。<end>

=>q62_original
Good, anything else?<end>

=>q62

わかった、他に何か？<end>

=>a63_original
I don't even like eels.<end>

=>a63

ウナギは好きじゃないんですけど。<end>

=>q64_original
Then you should be careful what you say. Any more inappropriate and life-threatenin' suggestions?<end>

=>q64

じゃあ言葉に気をつけなさい。これ以上不適切で命に関わる提案はありますか？<end>

=>a65_original
I think your hopper escaped.<end>

=>a65

ホッパーが逃げたと思います。<end>

=>q66_original
What th-- Hopsy? Damn it! Where did he go?<end>

=>q66

なに——ホプシー？くそっ！どこに行ったの？<end>

=>a67_original
South it was, I believe.<end>

=>a67

南の方だったと思います。<end>

=>q68_original
I hope he didn't go too far. Move aside.<end>

=>q68

遠くに行っていないといいですが。どいてください。<end>

=>a69_original
I have to go now. Bye.<end>

=>a69

もう行かなければなりません。さようなら。<end>

=>q70_original
::Before you is a young woman. She is tall for a woman, and her leather coat, which looks like it has seen far better days, further emphasizes that fact, as it ends up noticeably short. Her bare arms are thin but well-developed without being overly muscular as to ruin the feminine image, while her legs, in contrast, are thick and massive and are tucked into heavy-looking boots. She smiles as you approach her, and speaks to you with a friendly-sounding voice.::

Oh, $(context.player.Name). So you are the $(#man/woman) who got rid of them burrowers for us. I was expectin' someone a bit... tougher-lookin'. ::She laughs.:: Name's Sarine. What can I do for you?<end>

=>q70

::目の前に若い女性がいる。女性にしては背が高く、くたびれた革のコートがさらにそれを強調して、裾が明らかに短めに終わっている。むき出しの腕は細いが、女性らしいイメージを壊すほど筋肉質ではなく、よく鍛えられている。一方で脚は太くてたくましく、重そうなブーツに収まっている。彼女はあなたが近づくと微笑み、友好的な声で話しかけてくる。::

おお、$(context.player.Name)。バロワーを退治してくれた人ね。もっと……タフそうな人を期待していたわ。::彼女は笑う。:: 私はサリン。何か用？<end>

=>q71_original
::Before you is a young woman. She is tall for a woman, and her leather coat, which looks like it has seen far better days, further emphasizes that fact, as it ends up noticeably short. Her bare arms are thin but well-developed without being overly muscular as to ruin the feminine image, while her legs, in contrast, are thick and massive and are tucked into heavy-looking boots. She greets you with level eyebrows and an equally level tone of voice.::

Did you hear and see all you needed back there? Hmm?<end>

=>q71

::目の前に若い女性がいる。女性にしては背が高く、くたびれた革のコートがさらにそれを強調して、裾が明らかに短めに終わっている。むき出しの腕は細いが、女性らしいイメージを壊すほど筋肉質ではなく、よく鍛えられている。一方で脚は太くてたくましく、重そうなブーツに収まっている。彼女は平静な眉と同様に平静な声であなたを出迎える。::

さっき必要なだけ見て聞いた？うん？<end>

=>a72_original
I'm sorry about that. I didn't mean to eavesdrop. Look, My name's $(context.player.Name). It's a pleasure to meet you.<end>

=>a72

すみません。立ち聞きするつもりはありませんでした。私は$(context.player.Name)です。よろしくお願いします。<end>

=>q73_original
It's alright. Nice to meet you too, $(context.player.Name). What can I do for you?<end>

=>q73

いいですよ。こちらこそよろしく、$(context.player.Name)。何か用？<end>

=>a74_original
I'm $(context.player.Name).<end>

=>a74

私は$(context.player.Name)です。<end>

=>q75_original
::Her answer comes after a short delay.:: I'm Sarine. What do you want?<end>

=>q75

::少しの間を置いて答える。:: 私はサリン。何の用？<end>

=>a76_original
If you didn't want to be seen, then you should've gone somewhere private. I'm $(context.player.Name) and I had some questions.<end>

=>a76

見られたくないなら、どこかプライベートな場所へ行くべきでした。私は$(context.player.Name)で、質問がありました。<end>

=>q77_original
What do you need?<end>

=>q77

何が必要？<end>

